promotional photos

 Working as a unit stills photographer has been one of the most exciting yet humbling experiences in my creative journey. Here are some personal lessons I’ve learned along the way:

• The best candid moments happen when actors forget you’re there. Move quietly, observe patiently.
• Yet, stay alert—some of my favorite shots were captured during unexpected rehearsals or between takes.
• A gritty noir demands shadows and contrast; a romantic comedy thrives on soft, warm tones.
• I study the DP’s lighting setups and framing choices to ensure my stills feel like they belong in the same world.
• Close-ups of a trembling hand, a half-lit face, or a meaningful prop often tell more than a wide shot.
• I’ve learned to shoot "safety frames"—tight, medium, and wide—to give editors options later.
•  I now use silent shutter modes or time shots during loud scenes.
•  Custom white balance presets save hours in post.
•  Pre-focus on marks or use back-button AF for precision.
• Building trust with actors is key. A quick chat before shooting helps them relax in front of my lens.
• Directors appreciate when I deliver 1–2 standout stills right after a scene—it boosts morale on long shoots.
•  Subtle exposure tweaks > heavy-handed filters. Authenticity trumps polish.
•  Tagging key scenes/characters saves headaches during frantic promo edits.
• Not every shot will be used—and that’s okay. My job is to provide options, not perfection.
• The real reward? Seeing a still I captured become the film’s poster or defining moment in reviews.

Production stills photography taught me to balance artistry with service. We’re storytellers first, technicians second. The most "flawless" shot might lack soul, while a slightly imperfect frame could become iconic. That tension—between precision and emotion—is where the magic lives.

"A great still doesn’t just show a scene—it makes you feel the story before it’s even told."

Would love to hear others’ experiences! What’s your #1 lesson from set photography?